By William Duckworth
Across the world popular composer William Duckworth covers song basics in 14 concise major chapters supplemented through eleven enrichment appendices, supplying prolonged assurance if you hope extra guideline.
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Extra resources for A Creative Approach to Music Fundamentals , Tenth Edition
Remember that middle C will never be exactly in the middle of the great staff, but, rather, closer to one staff or the other. Remember also that the treble clef identifies the second line as the G above middle C, while the bass clef identifies the fourth line as the F below middle C. 26 CHAPTER 1 Locate and write each given pitch on the keyboard. Remember that each pitch will occur in more than one place, because these keyboards span more than an octave. Begin by locating the F and C landmarks.
Even if you didn’t, you can see that it would be difficult to play a long piece of music without losing one’s place. For this reason, music is divided into measures with vertical lines called bar lines. A bar line occurs immediately before an accented pulse. Thus, duple meter has two pulses per measure, triple meter has three pulses per measure, and quadruple meter has four pulses per measure. The following example shows the common meters again, this time with bar lines included. Notice how much easier it is to read and perform the meter when it is written this way.
Pay particular attention to the double sharps and flats. Then, play each of the pitches on the piano. P R A C T I C E Practice Materials 1-10 30 CHAPTER 1 The Basics of Music P R A C T I C E 2 CHAPTER TWO Rhythm I: Simple Meter usic based on steady recurring pulses can be divided into two main types: simple meters that divide the basic pulse into two parts, and compound meters that divide the basic pulse into three parts. In this chapter, we will learn about simple meter, including a method for counting it, whereas in Chapter 3, we will study compound meter and how it is counted.