By Ken Emerson
Throughout the past due Nineteen Fifties and early Nineteen Sixties, after the surprise of Elvis Presley and prior to the Beatles spearheaded the British Invasion, fourteen proficient younger songwriters huddled in midtown Manhattan's mythical Brill development and a warren of workplaces a section farther uptown and composed one of the most beguiling and enduring entries within the nice American Songbook. Always Magic within the Air is the 1st thorough heritage of those well known songwriters-tunesmiths who melded black, white, and Latino sounds, built-in audiences earlier than the USA desegregated its faculties, and taken a brand new social attention to pop music.
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Extra info for Always Magic in the Air: The Bomp and Brilliance of the Brill Building Era
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The representation schemes presented in the following sections (especially the GCT) can be extended in the future so as to facilitate the recognition of harmonies in an unreduced collection of notes or unreduced stream of sounds (this is beyond the scope of the current chapter). , the notes) from audio requires a potentially large amount of processing; once, however, 36 Emilios Cambouropoulos the surface is formed, the road to higher-level processing (such as beat tracking, metre induction, chord analysis, pattern extraction, and so on) is open.
Even if the answer is afﬁrmative, we cannot be conﬁdent of a good analytical outcome because that does not depend on the completeness alone. One way to maximize the completeness of the inventory is to maximize its size, but this also increases the quantity of useless information and makes ﬁnding the useful information more problematic. More realistically, we must ask how much useful information is present in comparison to how much useless information. A perfect outcome would be for the inventory to contain only the information which the analyst selects to construct the analysis (in which case the analytical step of selection becomes trivial and redundant, and we effectively return to the situation discussed above where an analysis is judged ‘correct’ by the degree to which it matches an analyst’s conception).